J. Haydn - Hob II:G4 - Flute quartet Op. 5 No. 2 in G major The Wig Society @ Coudenberg Palace (Brussels) 2020

With the recording of the Sonates sans basse TWV 40:101-106 on the baroque flute and violin, Italian flautist Matteo Gemolo and Italian violinist Patrizio Germone wish to revive the richness of timbres, dynamics and counterpoint that shines through their first print publication made by G. P. Telemann in Hamburg in 1727. Too long regarded as mere recreational and didactic music, they approach this collection with a refreshing appraisal and without preconceptions. The match between the baroque flute and violin helps to restore the contrapunctual and imaginative Telemann’s writing with a more defined degree of transparency and a wider range of sound possibilities than that obtained by using two instruments from the same family such as two flutes, recorders or violins. This rich and expressive instrumental combination does not leave room for any kind of nostalgia towards the missing bass line. Together with a few Fantasias, the alternation between the solos and duets allows to appreciate even better the extravagance and vivacity of the German genius. AD110 Release date → May 11th Stream//Download//Buy → https://lnk.to/TelemannLaSolitudeADeuxID FACEBOOK→ www.facebook.com/OuthereMusic TWITTER → www.twitter.com/Outheremusic INSTAGRAM → www.instagram.com/outheremusic YOUTUBE → www.youtube.com/user/outheremusic WEBSITE → www.outhere-music.com

With the recording of the Sonates sans basse TWV 40:101-106 on the baroque flute and violin, Italian flautist Matteo Gemolo and Italian violinist Patrizio Germone wish to revive the richness of timbres, dynamics and counterpoint that shines through their first print publication made by G. P. Telemann in Hamburg in 1727. Too long regarded as mere recreational and didactic music, they approach this collection with a refreshing appraisal and without preconceptions. The match between the baroque flute and violin helps to restore the contrapunctual and imaginative Telemann’s writing with a more defined degree of transparency and a wider range of sound possibilities than that obtained by using two instruments from the same family such as two flutes, recorders or violins. This rich and expressive instrumental combination does not leave room for any kind of nostalgia towards the missing bass line. Together with a few Fantasias, the alternation between the solos and duets allows to appreciate even better the extravagance and vivacity of the German genius. AD110 Release date → May 11th Stream//Download//Buy → https://lnk.to/TelemannLaSolitudeADeuxID FACEBOOK→ www.facebook.com/OuthereMusic TWITTER → www.twitter.com/Outheremusic INSTAGRAM → www.instagram.com/outheremusic YOUTUBE → www.youtube.com/user/outheremusic WEBSITE → www.outhere-music.com

Sibyl Vane LIVE @ Les Ateliers Claus (Brussels) for SMOG performs Scherzando. Sonata n.5 für Flöte und Elektrogerät (d'après G. P. Telemann) Matteo Gemolo - traverso & composition Enrico Pigozzi - live electronics & composition Nathan Wouters - double bass & impro

Sibyl Vane - Vivace (d'après G. P. Telemann) Matteo Gemolo - traverso Enrico Pigozzi - electronics https://soundcloud.com/sibylvanemusic/sets/sibyl-vane Sybil Vane consists of a musical journey that will reconnect you with the soundscape of the Baroque Era through the technological means of our present. Every song is played and recorded on period instruments. It is then electronically resampled following different directions and patterns. With the final product, we wish to go beyond certain predetermined classical boundaries and creating a contemporary soundscape while still employing old-fashioned material (such as instruments, motifs and songs from the Baroque time). Images from the 1947 experimental film Dreams That Money Can Buy, produced, written and directed by Hans Richter.

Edit by Vincent Pieraerd